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VSP EXERCISE


||  24/09/24-24/12/24
||  Sun Jia Yi / 0370449
||  Video & Sound Production / Bachelor of Design (Hons) in Creative Media
||  VSP Exercise

TABLE OF CONTENTS

1. Lectures 

LECTURES 

Week 1: 

The sequence of frames from an uninterrupted shot makes up a camera shot. Filmmaking and video projects require camera shots.

Type of Camera Shot Size: 
Based on the distance between the subject and the camera, the camera shot size describes how much of the topic or scene is visible within the frame of the image.

  • Extreme Wide Shot (ELS)
  • Long Shot (LS) / Wide Shot (WS)
  • Full Shot (FS)
  • Medium Long Shot (MLS) / Medium Wide Shot (MWS)
  • Cowboy Shot
  • Medium Shot (MS)
  • Medium Close Up (MCU)
  • Close Up (CU)
  • Extreme Close Up (ECU)
  • Establishing Shot 
Type of Camera Framing:
Camera framing is the art and science of placing subjects in your shots. 

Single Shot
Two Shot
Three Shot
Over-the-Shoulder Shot (OTS)
Point-of-View Shot (POV)

Type of Camera Shot Angel:
Shot angles specify the location where the camera should be placed to take a shot. The position of camera and the result would affect the way viewer perceives the scene.

Eye Level Shot
Low Angle Shot
High Angle Shot
Hip Level Shot
Knee Level Shot
Ground Level Shot
Shoulder-Level Shot
Dutch Angle Shot
Birds-Eye-View Shot / Overhead Shot
Aerial Shot / Helicopter Shot

Type of  Composition:
Composition refers to the way elements of a scene are arranged in a camera frame. Shot composition refers to the arrangement of visual elements to convey an intended message

Rules of Shot Composition
The Rule of Thirds
Balance and Symmetry
Leading Lines
Eye-Level Framing
Depth of Field
Deep Space Composition


Quiz



INSTRUCTIONS

There is the Module Information Booklet for this Module: 

Exercise 1: Editing Exercise 

All of the film must be downloaded from Google Drive and imported into Adobe Premium Pro. 
The steps are as follows: 
  • Download the footage
  • Create a new Premium Pro project
  • Import the footage
  • Arrange the shots in the right sequence on the timeline
  • Export the movie.
Exercise 1.1 

Figure 1.1: Download Footage, Week 1

Figure 1.2: Import footage, Week 1


Figure 1.3: Arrange shots on timeline, Week 1


Figure 1.4: Export the video, Week 1

Figure 1.5: Exercise 1.1: Editing Exercise, Week 1


Exercise 1.2
We must export the juggled films after organizing them in the proper sequence for this activity.

Figure 2.1: Import new footage, Week 2

Figure 2.2: Put Shots on timeline, Week 2

Figure 2.3: Export the video, Week 2

Figure 2.4: Exercise 1.2: Editing Exercise, Week 2

Exercise 2
Downloading raw material from clips and editing it to precisely 35 seconds is what we are supposed to accomplish. I saw the first LALIN video and took note of a few key points. 

Figure 3.1: Exercise 3: Process, Week 2

We had to cut Lalin to precisely 30 seconds for the next portion of this practice. This was a ripple edit exercise.

Here is the tutorial link: 

Figure 3.2: Exercise 3: Latin , Week 2

Storyboard Exercise

We are doing storyboard exercises for the next project this week. Storyboarding can be finished using a digital or physical instrument.

We must: Choose visual effects shots that are compatible with the instruction.
Using one character and one continuous incident, create a narrative around the visual effect shot.
Divide the narrative into distinct storyline points.
Describe the setting and shot size of each shot.
The tale is presented to us together with the scene and shot size.

Figure 3.3: Storyboard Exercise, Week 2


Stop Motion Shooting Exercise 
We will be doing a stop motion shooting drill this week. Two stop-motion films are provided to us, and we must replicate a couple of the moments. 


Figure 3.4: Video - Adopt don't shop , Week 2


                                         Figure 3.5: Video - Adopt don't shop , Week 2

I done my stop motion video with my classmates and download all of the images in JPEG and import it into the Premiere Pro and edit them. 

   Figure 3.6: Stop Motion Exercise 1 _adopt Don't stop , Week 7

   Figure 3.7: Stop Motion Exercise 2 _Clays , Week 7
REFLECTIONS

This lesson really delighted me, and the tasks we completed definitely helped me get acquainted to Premier Pro in particular, which I had never used before. All of our initiatives were easier to manage and less daunting as a result.





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